All posts by Dorianne Emmerton

Dorianne is a graduate of the Theatre and Drama Studies joint program between University of Toronto, Erindale campus and Sheridan College. She writes short stories, plays and screenplays and was delighted to be accepted into the 2010 Diaspora Dialogues program and also to have her short story accepted into the 2011 edition of TOK: Writing The New Toronto collection. She is also a regularly contributing writer on http://www.sexlifecanada.ca. You can follow her on twitter @headonist if you like tweets about cats, sex, food, queer stuff and lefty politics.

Preview: Forest Fringe Microfestival as part of the 2016 Progress Festival

Forest-Fringe_Forest-Fringe-at-the-Yard_-Giulia-Delprato-620x500

The 2016 Progress Festival is hosting a  microfestival of performances from Forest Fringe.  Forest Fringe is an artist-led organization that creates imaginative and unconventional performance events in the UK and internationally,  fostering a diverse community of writers, theatre makers, musicians, dancers and live artists. The Forest Fringe Microfestival will hold performances over this weekend, Saturday January 30 and Sunday January 31 , 2016.

We asked the company’s co-director Andy Field a few questions about the upcoming microfestival. Continue reading Preview: Forest Fringe Microfestival as part of the 2016 Progress Festival

Review: Nirbhaya (Nightwood Theatre)

#2(L to R) Poorna Jagannathan and Priyanka Bose in a scene from Nirbhaya

Nirbhaya by Nightwood Theatre explores rape and sexual assault in India, on stage in Toronto

The 2012 Delhi gang rape and murder of Jyoti Singh Pandey horrified international news and led to large protests in the capital of India; the fury opened up space for women to speak their truth about sexual and physical assault, and one valuable contribution to this conversation is Yaël Farber’s play Nirbhaya, currently produced by Nightwood Theatre. It tells Pandey’s story, but also true stories from the lives of the performers. Continue reading Review: Nirbhaya (Nightwood Theatre)

Review: Seminar (Mirvish)

Seminar

Seminar, on stage in Toronto, confronts the “sad patriarchal truth of the literary sphere”

In Seminar, currently onstage at the Panasonic Theatre and produced by Mirvish, four young writers have put together an enormous amount of money to hire a famous author to critique their work. What they don’t expect is that the criticism will encompass their own characters, and also reveal the weaknesses of their would-be mentor. Continue reading Review: Seminar (Mirvish)

Review: Beckett Trilogy (Canadian Stage)

Lisa Dwan in Beckett Trilogy_ROCKABY. Cred_ John HaynesCanadian Stage presents Beckett Trilogy; a trio of the playwright’s one-woman pieces, in Toronto

Irish actor Lisa Dwan performs quite a feat in her production of Beckett Trilogy, playing now at Canadian Stage. Not I, Footfalls and Rockaby are short, one-woman pieces from Samuel Beckett‘s later period, all of which require a vocal mastery of cadence and an existential mastery of loneliness.  Continue reading Review: Beckett Trilogy (Canadian Stage)