All posts by Heather Bellingham

Heather studied film at Humber College and English and Theatre at UTSC. She works as a stage manager, usually watching from the booth or lurking backstage. She has written for various websites since 2009. Unofficially, she’s also a total nerd with an obsession with sci fi TV series, fantasy novels, Dungeons and Dragons, and and video games. Follow her on Twitter at @bluealbow4eva.

The Musical of Musicals (The Musical!) – Toronto Fringe 2013 Press Release

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From press release:
5 Musicals for the Price of 1 … Because Sometimes One Musical Just isn’t Enough
 
Music by Eric Rockwell • Lyrics by Joanne Bogart • Book by Eric Rockwell & Joanne Bogart
Starring Mark Cassius • Adrian Marchuk • Dana Jean Phoenix • Paula Wolfson
Directed by Vinetta Strombergs • Musical Direction by Michael Mulrooney
Costumes by Melanie McNeill • Projections by Blair Francey • Stage Management by Dylan Wales • Produced by Jim Aldridge
Factory Theatre Mainspace 125 Bathurst St.
Schedule: Wed. July 3 – 8:15 pm • Sat. July 6 – 5:15 pm • Mon. July 8 – 10:15 pm • Tue. July 9 – 6:30 pm •
Wed. July 10 – 5:15 pm • Fri. July 12 – 12 noon • Sun. July 14 – 7:00 pm
Length: 90 minutes, no intermission.
Tickets $10 • Available in advance through www.fringetoronto.com at by phone at 416-966-1062
Vintage Productions proudly presents the Toronto premiere of The Musical of Musicals (The Musical!), a satiric love-letter to the musical theatre of the 20th century. First performed at Dodger Stages in New York in 2005, the show has had long, successful runs in New York City and all over the United States, as well as in Australia and the UK.  Performed in Toronto by a cast of four of the city’s best musical theatre performers,  The Musical of Musicals (The Musical!) is directed by Vinetta Strombergs, with musical direction by Michael Mulrooney.
The Musical of Musicals (The Musical!) has a simple plot that is told in five totally different styles under five different titles.
·       CORN! tells the story in the the heart-warming style of Rodgers & Hammerstein.
·       A LITTLE COMPLEX explores the story in the sophisticated style of Stephen Sondheim.
·       HELLO ABBY! belts out the story in the style of Jerry Herman!
·       ASPECTS OF JUNITA romanticizes the story in the style of Andrew Lloyd Webber.
·       SPEAKEASY jazzes up the story in the style of Kander & Ebb.
As authors Eric Rockwell and Joanne Bogart have said:  “Why be a second-rate original when you can be a first-rate imitation!” The original NY cast recording is available Jay Productions CDs and online through iTunes.
 
THE TORONTO CAST
MARK CASSIUS has been featured on Broadway, in Jesus Christ Superstar, Ragtime and Shenandoah.  Other credits include, Cats, The Music of Andrew Lloyd Webber In Concert, Joseph and the Amazing Technicolor Dreamcoat (with Donny Osmond), Miss Saigon and Showboat.  He has performed at both the Shaw Festival and the Stratford Shakespeare Festival.  He also spent eight years with the world-renowned acapella group, “The Nylons”.  Since leaving the group in 2005, his work as a Music Producer, Director, Writer and Teacher continues to inspire those in pursuit of creative excellence.
ADRIAN MARCHUK is making his Fringe debut after a decade in the Toronto theatre scene.   He was most recently seen in Toronto as Dr. Madden in Next To Normal (Clearwater Theatre – Tarragon), and as Frankie Valli in Jersey Boys.   Other recent work includes playing Fabrizio in The Light in the Piazza and the world premiere of a new musical Scenes from the Bathhouse at Talk is Free Theatre.   Adrian is also the creator of The Sweetest Sounds (A Century of Song from Rodgers to Guettel), a new concert musical that has been performed around Ontario and which recently made its New York debut at the historic Birdland Jazz Club.
 
DANA JEAN PHOENIX is an Urban-Electro-Cabaret Performer from Toronto and a graduate of Sheridan College’s prestigious Music Theatre Program. When not in the studio recording her original material, she can be seen onstage fronting the Juno Nominated NuFunk band God Made ME Funky. Select Theatre Credits: ‘Mama’ Morton in Chicago, Herself in Neil Bartram & Brian Hill’s The Theory of Relativity, Donna Marie in Blood Brothers (Theatre Sheridan), Helen McDougal in Bloodless (Theatre 20/CMTP Workshop), Groovin’ Thru The 60s (Port Hope Festival Theatre), Sarah Good in Obeah Opera (b.current Productions), Sally Brown in You’re a Good Man Charlie Brown (The Singer’s Theatre).
www.DanaJPhoenix.com
 
PAULA WOLFSON has been a professional actor since 1980 (Godspell, Bayview Playhouse).  She is a seasoned performer with a Dora Mavor Moore Award for Outstanding Performance (Shaking the Foundations, Buddies in Bad Times), and a shared Vancouver “Jessie” for Outstanding Ensemble (When We Were Singing). She has toured much of North America with “mega-musicals” (1st Canadian National Les Miserables; 2nd American National Beauty and the BeastWhite Christmas). She is an accomplished musician (piano, guitar, autoharp, ukulele and washboard) and is an Artist Educator with the Royal Conservatory of Music.  Paula writes and performs her own cabarets at various venues. Her one-woman show “Between Engagements” has been presented a the Stratford Summer Festival; the Diesel Playhouse, Tallulah’s at Buddies in Bad Times Theatre, Statler’s Lounge, and P.A.L. in Toronto.
 
MICHAEL MULROONEY studied conducting, piano, and voice at the University of Toronto, and has pursued an eclectic musical career centering on theatre. He has served as pianist, conductor and/or musical director on nearly 200 productions, frequently contributing arrangements or original music as well. Conducting credits includeThe Kiss of the Spider Woman (World PremiereToronto), Show Boat (Toronto and New York), Starlight Express (Bochum, Germany), and Les Misérables (Toronto and Canadian Bilingual Tour). He has participated in the development of many new works in Canada’s regional theatres, as well as the pre-Broadway Toronto productions of Kiss of the Spider Woman, Show Boat, and Ragtime. He currently teaches at Sheridan College, serves regularly as a mentor for the National Academy Orchestra, and has taught musical theatre at the Randolph Academy and York University.
THE CREATIVE TEAM:
 
VINETTA STROMBERGS started her directing career with an acclaimed all-female production of CAESAR at TWP.  Her eclectic career has included brilliant one-man shows (premier of Wild Abandon with Daniel MacIvor and Smoke with Hume Baugh), large cast musicals (Rodgers & Hart: A Celebration; Lysistrata; Godspell; A Chorus Line), edgy dramas, frothy comedies, and of course Shakespeare (outdoors and inside theatres).  She has had a long association with the development of First Nations playwrights and actors and has directed several premieres at various regional theatres.  Her production of 60 Below for Native Earth garnered 7 Dora nominations including outstanding direction.
 
MELANIE MCNEILL is a Toronto based set and costume designer. Select designs include: The Odyssey(costume, Driftwood Theatre); Shakespeare’s Nigga (costume, Obsidian Theatre); Les Fourberies de Scapin(costume, Theatre Français de Toronto); Bloodless (costume, Theatre 20); Expire (set & costume, ProArte Danza), Spelling 255 (set & costume, Carousel Players); Doc Wuthergloom’s Haunted Medicine Show, Madhouse Variations (set & costume, Eldritch Theatre); The Last Days of Judas Iscariot (costume, Birdland Theatre); Andromache, Hamlet (assistant costume, Necessary Angel); and eight seasons with Videocabaret.  Film/TV: Todd & The Book of Pure Evil, season 2 (Assistant Costume Designer, SPACE). Melanie has received one Dora Award (for Madhouse Variations) and was nominated for the 2013 Virginia & Myrtle Cooper Award in Costume Design.

Radio :30 – Toronto Fringe 2013 Press Release

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From press release:

the night kitchen presents the Dora, Chalmers, and Canadian Comedy Award winning

“Radio :30” July 3 – 13, 2013 at the Toronto Fringe!

Written & performed by Chris Earle
Directed by Shari Hollett

The hit dark comedy returns to the Toronto Fringe (where it premiered), and then embarks on a national Fringe tour to Winnipeg, Calgary, Edmonton, and Vancouver!

In Radio :30, a veteran “voice guy” named Ron (Chris Earle) is recording a 30 second radio ad with the help of his faithful recording engineer Mike (Paul Constable). Between takes, Ron shares the tricks of his trade with the audience, inadvertently revealing how the polished dishonesty of his profession has infected his personal life. Haunted by his conscience, Ron’s silver tongue begins to betray him…

“A powerful tale of betrayal and deceit. Ron is a 21st century Willy Loman created and performed to unsettling perfection by Chris Earle”  – The NY Times             

“Wickedly funny, unexpectedly moving” – The New York Sun

“NNNNN – One of the funniest shows of the Fringe, Radio :30 is also one of the most moving.” – NOW Magazine

And in a special twist, the role of “Mike”, the unseen recording engineer, will be played by a different actor in each city:

Toronto: Paul Constable (Second City), Calgary: Trevor Leigh (Theatre Calgary) Edmonton: Dana Andersen (Second City, Die-Nasty) Winnipeg and Vancouver: Sam Earle (Degrassi)

“Radio :30” is once again directed by Shari Hollett, with Lighting Design by Jennifer Stobart, and Sound Design by Bob Derkach.

Produced by the night kitchen.
Website – www.nightkitchentheatre.ca
Facebook – facebook.com/Radio30fringe
Twitter – @Radio30fringe

Toronto Fringe July 3-14, 2013
VENUE: Tarragon Mainspace, 30 Bridgman Ave

Wed    July 3    @ 7:00 pm
Fri       July 5    @ 1:15 pm
Sun     July 7    @ 4:45 pm
Tue      July 9    @ 5:15 pm
Thur     July 11   @ 9:45 pm
Fri        July 12    @ 7:00 pm
Sat       July 13   @ 2:15 pm

Tickets:  $10. Avail. at Venue one hour prior to show time – cash sales only.

Advance tickets: $11. on sale June 17th, purchase online: fringetoronto.com. or 416-966-1062, ext 1.

In Person: During the Festival, Box Office in the parking lot behind Honest Ed’s (581 Bloor St W).

Photo by John Scully.

Inge Snapshots: Mid-America Mid-Century – Toronto Fringe 2013 Press Release

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From press release:

“Though nothing can bring back the hour
Of splendour in the grass, glory in the flower,
We will grieve not, rather find 
Strength in what remains behind.” 
William Wordsworth

Two lovers, haunted by their former romance, see each other again after many years. Have the years apart brought anything more than pain and emptiness?  The Remnants present INGE SNAPSHOTS: MID-AMERICA MID-CENTURYtwo of noted American playwright William Inge’s one-act plays – BUS RILEY’S BACK IN TOWN and GLORY IN THE FLOWER – performed as a double-bill at the Helen Gardiner Phelan Playhouse Theatre as part of the Toronto Fringe Festival July 3-13, 2013. Tickets are available beginning June 17 via www.fringetoronto.com, by telephone at 416-966-1062 (ext.1), or at the door.

Can coming to terms with the past bring hope for the future? Welcome to INGE SNAPSHOTS: MID-AMERICA MID-CENTURY. Playwright William Inge explored the same ground in two different versions of the same story – one a youthful reunion set against the optimism of early 1950’s America, and one through a more mature lens, set against the burgeoning change of the late 1950’s. INGE SNAPSHOTS offers an elegiac portrait of small town life, the fullness of first love and its aftermath. Presenting both plays with the same acting company, in a twist on the old model of repertory theatre, The Remnants ask the question:  How does a reunion change when a pair of lovers reunite later in their lives? How does time affect feelings of loss and regret?

INGE SNAPSHOTS features a stellar cast of award-winning actors: Jeff Gruich (The Mysterious Mr. Love,Globus Theatre; The Two Gentlemen of Verona, Shakespeare in the Square; Art, Globus Theatre), Katharine McLeod (Dear Harvey: A Play About Harvey Milk, Diversionary Theater/FringeNYC; Pride and Prejudice ,Actors Theatre of Louisville), David Mackett (The Taming of the Shrew, Shakespeare Bash’d/Toronto Fringe Festival; Aftershock, Theatre on the Verge/SummerWorks), Suzette McCanny (The Trojan Women, Alumnae Theatre; Bloom, Steam Powered Theatre), Tim MacLean (The Emotionalists, SummerWorks 2010), andJoseph Mottola (Euripides’ Cyclops, Toronto Fringe Festival).  

INGE SNAPSHOTS is produced and directed by veteran theatre artist Rod Ceballos (Shakespeare Festivals of Chicago, Cincinnati and Idaho, Virginia Shakespeare Festival, Rose Theatre/Flower City Theatre Festival, The Empty Space Theatre, Fly on the Wall Theatre, BirdLand Theatre). Stage managed and associate-produced byAllison Bjerkseth (Six Acts, Prague Quadrennial).

More information is available via www.theremnantstheatre.com

Show information for INGE SNAPSHOTS: 

Venue: Helen Gardiner Phelan Playhouse Theatre
79 St. George Street, Toronto (St. George just below Harbord)
Performances: Wed July 3 – 6:30pm
Fri July 5 – 8:45pm
Sun July 7 – 1:30pm
Wed July 10 – 11:00pm
Thurs July 11 – 7:45pm
Fri July 12 – 1:45pm
Sat July 13 – 12:00pm
Please note there is absolutely no latecomer seating.
Tickets: $10 at the door (cash only)
Or $11 in advance ($9 + $2 SC, Visa or MasterCard)
beginning June 17 via www.fringetoronto.com or 416-966-1062 ext. 1

 

Photo by Allison Bjerkseth. 

Love is a Poverty You Can Sell 2: Kisses for a Pfennig – Toronto Fringe 2013 Press Release

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From press release:

Step into the world of a 1920’s Berlin Cabaret for an evening of song, story, and sin!

Soup Can Theatre is proud to present a bold and colourful new production that mergesmusical and comedy cabaret with immersive theatre. Following in the footsteps of the 2010 Fringe smash hit Love is a Poverty You Can Sell – which was also presented as part of the ‘Best of Fringe’ program and the 2012 Next Stage Festival – Love is a Poverty You Can Sell 2: Kisses for a Pfennig (German for ‘penny’) aims to recreate the mood and atmosphere of an authentic Berlin cabaret in ‘Bite’, a warm and scenic bar/music venue in the heart of downtown Toronto, and to seduce audiences with a tantalizing stage show rife with song and spectacle.

Love is a Poverty You Can Sell 2: Kisses for a Pfennig features music from across the decades, including the songs of German darling Marlene Dietrich, famed stage composer Kurt Weill, cabaret pioneer Frederick Hollander, Broadway legends Stephen Sondheim andKander & Ebb (Cabaret), the subversive musical hit Urinetown, American singer-songwriter giants Paul Williams and Harry Nilsson, and others. Bringing these memorable melodies to life is a live ten-piece orchestra and a top-notch cast of Bohemian riff-raff including Seth Drabinsky (Hedwig in Breath.Feel.Love’s Hedwig and the Angry Inch), Jennifer Walls andNatasha Negovanlis (cast members of Angelwalk’s Dora nominated revue Off Broadway, On Stage), Michael-David Blostein (the Emcee in Adam Brazier’s Hart House Theatre production of Cabaret), show-stopping “male actress” Christian Jeffries, and many returning cast members from the first Love is a Poverty You Can Sell. Also returning are audience favourites, emcees Hans and Jodel (Ryan Anning and Scott Dermody), who will liven the proceedings with their unique brand of corkscrew banter and add intrigue with a dark folk tale about a young butcher’s apprentice.

Love is a Poverty You Can Sell 2 won’t stop at the edge of the stage; mixing and mingling with the audience throughout the performance will be supporting performers, lovingly referred to as the “Bar Flies”, playing 1920’s cabaret denizens who will help break down the barrier between the past and the present. Patrons will also be able to visit the bar and enjoy a traditional German beverage; the Berliner Weisse – a centuries-old summer cocktail made from Weissbier (wheat beer) and real raspberry syrup.

Under the directorial eye of Sarah Thorpe and the baton of music director Pratik GandhiLove is a Poverty You Can Sell 2: Kisses for a Pfennig promises a hedonistic evening to remember!

Praise for the first Love is a Poverty You Can Sell includes:

Sultry … Seductive … Uniformly Delectable … N N N N N” – NOW Magazine

Stellar … Constantly Delights … Note-Perfect Mingling of the Past with the Present … ★★★★” – Eye Weekly

Immersive and Inventive … A Must-See” – Toronto Review of Books

Smart … Stylish … I Loved the Whole of It” – Slotkin Letter


Performance Details:

Where: Bite – 423 College Street, just east of College and Bathurst.
When: July 3rd to 14th at 7pm (no show July 8th). 90 minute run time.

Tickets:

Tickets are $10 and available at www.fringetoronto.com, by phone at 416-966-1062, or in person at the venue starting one hour before show time.

Principal Cast:

Arthur Wright
Christian Jeffries
Cory Strong
Dayna Chernoff
Hayley Preziosi
Jeni Walls
Michael-David Blostein
Natalie Kulesza
Natasha Negovanlis
Ryan Anning
Scott Dermody
Seth Drabinsky

Creative and Production Team:

Director and Choreographer – Sarah Thorpe
Emcee Segment Writer and Co-Director – Justin Haigh
Music Director – Pratik Gandhi
Producers – Justin Haigh, Sarah Thorpe, Scott Dermody
Stage Manager – Samantha Lewis
Assistant Stage Manager – Leslie Thorpe-Dermody

About Soup Can Theatre:

Soup Can Theatre is a vibrant Toronto-based theatre company dedicated to the reinterpretation of classic theatre for a twenty-first century audience. Our aim is to use existing works as a means to explore and comment on contemporary issues and societal challenges, and in so doing, to offer our audiences a theatrical experience that is both entertaining and enriching. And sometimes we just like to have fun. Soup Can Theatre’s past productions include Love is a Poverty You Can SellMarat/SadeAntigone, and an opera/theatre double bill presentation of A Hand of Bridge & No Exit.

www.SoupCanTheatre.com
www.Facebook.com/Groups/SoupCanTheatre
www.Twitter.com/SoupCanTheatre

Back Row: Hayley Preziosi, Dayna Chernoff, Arthur Wright (background), Michael-David Blostein (foreground), Christian Jeffries, Scott Dermody, Jennifer Walls Front Row: Ryan Anning, Natasha Negovanlis, Seth Drabinsky. Photo by Lauren Vandenbrook 

Hazards – Toronto Fringe 2013 Press Release

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From press release:

We are besieged by hazards, real and imagined, those outside ourselves, and the ones inside our minds – from corrosive substances to not knowing which fork to use; from freefalling into love to meeting your personal Waterloo; from a meteor hitting earth to handwriting that begins to look like your mother’s, even though she’s left-handed and you are right-handed. HAZARDS, a one-woman show created by New York Times best-selling author Mina Samuels, will play at the Helen Gardiner Phelan Playhouse as part of the Toronto Fringe Festival July 5-13, 2013. Tickets are available beginning June 17 via www.fringetoronto.com by telephone at 416-966-1062 (ext.1), or at the door.

Inspired by the warning signs we encounter every day, HAZARDS dives into the chaotic soup of our minds, exposing our worries, from the personal to the universal, and our deep-seated fear of humiliation if we are “found out.” A performance piece in the absurdist tradition, HAZARDS combines spoken word with sometimes-frenetic, sometimes-beseeching movement, bringing us face-to-face with the question of our own significance in the universe.  And the answer is: YES!

HAZARDS’ playwright/performer Mina Samuels (Do You Know Me?) is also a successful author in both fiction and non-fiction genres, publishing a novel, The Queen of Cups, in 2007Run Like A Girl: How Strong Women Make Happy Lives in 2011, for which she appeared on The Today Show; and co-authoring the New York Times bestseller The Think Big Manifesto with Michael Port in 2009. Returning to her first creative love – live theatre – Mina pairs up with director Lisa Chess (Do You Know Me?) to bring HAZARDS to the Toronto Fringe stage.

More information is available via www.minasamuels.comFollow HAZARDS on Facebook for an ongoing irreverent celebration of the hazards we encounter in our everyday lives:www.facebook.com/HazardsPerformancePiece.

Show information for HAZARDS:

Venue: Helen Gardiner Phelan Playhouse
79A St. George St (St. George just below Harbord)
Performances: Friday July 5 – 5:15pm
Saturday July 6 – 7:30pm
Sunday July 7 – 9:00pm
Tuesday July 9 – 3:00pm
Wednesday July 10 – 9:15pm
Thursday July 11 – 12:15pm
Saturday July 13 – 11:00pm
Please note there is absolutely no latecomer seating.
Tickets: $10 at the door (cash only)
Or $11 in advance ($9 + $2 SC, Visa or Mastercard)
beginning June 17 via www.fringetoronto.com or 416-966-1062 ext. 1
Photo of Mina Samuels by Nancy Adler.