Madeleine Copp saw her first show when she was four years old and it was love at first sight. She pursued a bachelor’s in theatre production and design and English literature, culminating in a love for flexible, innovative, and diverse theatre artists that challenge all our preconceived notions of the stage. Her thesis, Printed Voices: Women, Print, and Performance pushed for new interpretations of closet drama from the early modern to modern period in the hopes of seeing more female playwrights included in the performance canon. Since graduating, Madeleine continues to seek out unexpected, startling, and challenging works that leave her angry, speechless, and wonderfully confused.
Drowning in big ideas and hard truths could be a real downer. Luckily, Luxury Goods’ Consumption Patterns – playing at the Factory Theatre as part of the 2020 Next Stage Theatre Festival -delivers a social deep-dive into despair with a sharp sense of humour and a welcome sprinkling of hope.
Trout Stanley hits all the right notes with its impeccable direction and dynamic acting
Do you ever watch a show and think to yourself: ‘this feels like exactly what I have been missing.’ Claudia Dey’s Trout Stanley, playing at the Factory Theatre Mainspace as part of their 50th season, is that play for me.
I sat in my seat and thought: weird, funny, rhythmic – this is exactly the type of play I feel like I never get to see.
Broken Branches creates space for a discussion about sibling abuse.
I think, sometimes, it is difficult to put the truth on-stage because the nature of entertainment confines it to like and dislike.
CreateTruth Productions’Broken Branches, in association with Workman Arts, playing at the Aki Studio bring the topic of sibling abuse to the forefront. But the heart of the story is buried under its need to speak honestly, and to not sugar-coat it’s complexities.