All posts by Megan Mooney

Megan loves being in the thick of all things theatre, but her ultimate goal is to promote theatre to the world of non-theatre people. It was the same when she was the theatre writer for blogTO, or the Fringe Correspondent for CBC Radio One‘s Here and Now, as it is as the founder of Mooney on Theatre. Her basic belief is that there is theatre/performance out there for everyone to love, they just need to find it. This is not to be confused with the idea that everyone should love theatre for theatre’s sake, in fact, as obsessed as she is with theatre, even *she* doesn’t love all types of theatre.

An Evening With Uncle Val – Theatre Passe Muraille

By Megan MooneyAndy Jones as Uncle Val

Cross posted with blogTO

I’m not entirely sure what John and I expected when we went to An Evening with Uncle Val at Theatre Passe Muraille last night, but it wasn’t what we got.  We were expecting straight up comedy, maybe even sketch comedy (as much as you can get in a one-person show).  But this was more.  Don’t get me wrong, it was very funny, but it was also, I don’t know…  illuminating?

As John said to me after the show, it does an amazing job of evoking a sense of place.  Uncle Val comes from a Newfoundland outport, but is now living with his daughter and son-in-law in the suburbs of St. John’s – and you really can kind of feel the suburbs while you’re watching.

I was introduced to a few Newfoundland traditions, learning things about other parts of the country is always really interesting to me.  One tradition that really caught my ear was the Newfoundland recitation tradition.  I also hadn’t thought how Newfoundland joining confederation would affect the culture and even day-to-day life of the province.  I forgot how recent it was, sometimes I think I lose sight of the things that happened before I was born.  But since they joined confederation in 1949 there are still plenty of people alive and well who were born in the independent Dominion of Newfoundland, not Newfoundland the province.

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AGOKWE – Buddies in Bad Times

By Megan Mooney

Waawaate Fobister in AGOKWE

 

Okay.  First, a confession.  For some reason I have found this a very difficult article to write.  I saw AGOKWE ages ago, and have been turning the show over and over in my head since then.  The main problem is that I can’t actually figure out what I think of the show. 

Here’s what I do know…  I am glad I saw the show.  There are some stunning moments in this show.  And, this can’t have been an easy show to write and perform for Waawaate Fobister, in fact, the whole thing felt pretty brave.

Why brave?  Well, I wondered out loud to Lisa, who accompanied me to the show, whether this would be harder to do in front of a First Nations audience, or a non-First Nations audience (which, in the Toronto theatre scene usually translates to white).  But Fobister did this in Toronto, so it will be in front of both, since I seem to remember being told that Toronto has the highest population of First Nations people in Canada.

 

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How an award is born – The Gordon Pinsent Award of Excellence

By Megan Mooney

A while ago I let folks know about The Company Theatre’s new award – The Award of Excellence.  It was awarded to Gordon Pinsent, and in subsequent years the award will be called ‘The Gordon Pinsent Award of Excellence’.  It was delivered at one of those ritzy galas that Harper so despises.  Although, like most Galas, it was a fundraiser, so I’m not sure where his ‘subsidized by the tax payers’ thing comes in, but you know…

The introduction of the award made me curious.  I wanted to know what sparks the desire to institute an award like this, and how it gets decided.  Luckily, since I’m a theatre writer, I get to ask all the questions I want.  Philip Ricco, the co-artistic director of The Company Theatre, was kind enough to feed my curiosity.  And, just in case you guys are curious too, I thought I’d tell you the answers I found out.

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The reality of arts funding

by Megan Mooney

Sometime this week I read someone’s blog where they talked about what was involved in Arts funding and how complicated it was and so on.  I thought it was a great post.  I now can’t seem to find it.

So, could the blogger who wrote that please step forward so that I can repost their work?  *grin

I figured it out.  It’s on the blog that I have identified with the most while reading about arts funding cuts – One Big Umbrella.  Specifically the posts from MK Piatkowski.  She’s rocking my world these days.  So…

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