All posts by Sam Mooney

Always a theatre lover Sam realized in middle age that there's more to Toronto theatre than just mainstream and is now in love with one person shows, adores festivals, and quirky venues make her day.

BOY vs FLY – Toronto Fringe 2019 Press Release

From Press Release

BOY vs FLY

Toronto Fringe KidsFest

July 3 – 14, 2019

New Casting Announcement

Based on the hit children’s book BOY vs FLY: A Dean Bean Adventure, author Daniel Beitchman brings this buzzworthy tale to the stage! BOY vs FLY The Play, as part of KidsFest at Toronto Fringe, follows a young Dean Bean as he navigates healthy food, homework and a hassling fly!

This charming comedy, written by Daniel Beitchman and directed by Kerry Griffin (Coincidence Men, The Second City), will delight audiences of all ages. The previously announced cast of BOY vs FLY includes Spencer Litzinger (YTV’s The Zone), Devon Hyland (The Second City), Simon McCamus (Fake Cops), and Josh Symonds (HotFace!). New to the cast, playing Dean Bean’s mother, is Brie Watson (Guess Who’s Coming to Improv?, The Utilidors).

What could possibly go wrong? In BOY vs FLY, Dean Bean disrupts his math class when chasing a crafty and clever fly. His impulsive nature gets him into trouble and he ends up learning an important lesson from an unexpected source. Dean’s antics will entertain while teaching audiences of all ages a heartfelt lesson about owning up to your mistakes.

The musical director of BOY vs FLY is Ayaka Kinugawa (The Second City TourCo), with Heather Lacey as stage manager.

BOY vs FLY

Toronto Fringe KidsFest

July 3 – 14, 2019

George Ignatieff Theatre, 15 Devonshire Place in Toronto

Tickets on sale June 6, 2019

Kidsfest tickets at $5
https://fringetoronto.com/fringe/plan-your-festival/tickets-pass-info

July 3 – 6pm
July 5 – 12pm
July 6 – 1:15pm
July 8 – 3pm
July 11 – 4:15pm
July 13 – 12:15pm
July 14 – 11am

www.boyvsfly.com

facebook.com/boyvsfly / twitter.com/boyvsfly / instagram.com/boyvsfly

Congratulations! – Toronto Fringe 2019 Press Release

From Press Release

Established Comedian to Perform in Toronto Fringe as a Winner of Inaugural Accessibility Lottery

Multiple limb amputee COURTNEY GILMOUR has taken Canadian comedy by storm, despite physical disabilities that to some might seem debilitating. Her one-woman show ‘Congratulations’ will premiere at the TARRAGON THEATRE as part of the TORONTO FRINGE FESTIVAL, 2019.

The Fringe Festival Accessibility Lottery places selected artists in accessible/semi-accessible venues and provides a $1000 bursary during pre-production.

‘Congratulations’ is a heartfelt and laugh-filled story of achievement, embarrassment, and self-worth told through GILMOUR’s personal and professional milestones. GILMOUR (JFL42 Headliner, Winner 2017 Just For Laughs Homegrown Competition, CBC LOL, Sirius XM Top Comic Finalist) reveals the lows of insecurity and depression while at the height of success, and shares her bumpy journey towards finding self-love. As she navigates emotional meltdowns in McDonald’s to a mortifying encounter after buying a cat stroller, GILMOUR uses her experiences to explore what “congratulations!” accolades really mean to her.

“I wanted to create a show that celebrates achievement but also illuminates the struggle of defining what that actually is. People with disabilities are underestimated on a daily basis, so I want to share how that feels and how it’s affected the way I approach my goals.”

In the wake of paraplegic ALI STROKER’s pivotal Tony Award win this week, attention is turning to the accessibility of theatre venues, off and on the stage. TARRAGON THEATRE will host GILMOUR for the Fringe run– a venue that has yet to meet the criteria to deem it a ‘fully accessible space’, even after major renovations.

Congratulations is written by GILMOUR and directed by esteemed Fringe Festival veteran, comedian PHIL LUZI (Netflix, CBC, Funny Or Die).

Courtney Gilmour is available for interviews.
For Inquiries/Press Tickets Contact Jenna Warriner at jenna.warriner@gmail.com
More Information: https://fringetoronto.com/fringe/show/congratulations

WHAT: Congratulations! (45-60 min.)
WHERE: Tarragon Theatre Solo Room, 30 Bridgman Ave. Toronto
WHEN:
Wednesday July 3    8:15 PM
Friday July 5   6:30 PM
Sunday July 7    1:30 PM
Monday July 8    7:30 PM
Wednesday July 10    10:00 PM
Friday July 12    8:45 PM
Saturday July 13    5:00 PM
Sunday July 14    2:45 PM

King Stag – Toronto Fringe 2019 Press Release

From Press Release

RANDOLPH COLLEGE BRINGS COMMEDIA DELL’ARTE CLASSIC
TO THE FRINGE STAGE
DIRECTED BY DORA AWARD WINNER MATTHEW WALKER

For the 2019 Toronto Fringe Festival, Randolph College for the Performing Arts is going back to the basics, mining the commedia dell’arte catalogue for a riveting and hilarious classic that suits the electric atmosphere of the Fringe: King Stag by Carlo Gozzi, Albert Bermel and Ted Emery (tr.). Written in 1762, King Stag will be presented by the Randolph College for the Performing Arts in Toronto’s Annex Theatre at the Toronto Fringe Festival, July 3-14, 2019. King Stag is directed by Matthew Walker.

Walker, who was the 2013 recipient of the Ken McDougall Award for Promising Emerging Director, selected King Stag because the tradition has so many parallels with the Fringe. “Shows were bold and responsive to their audience, and troupes would travel from town to town adjusting their stories to the current events of the local audience. By digging into commedia dell’arte’s history, we are looking to learn from their techniques while keeping an eye to present-day Toronto and, in particular, the wild and positive energy of Fringe.”
King Stag is from the commedia dell’ arte ‘silver age’ when playwrights started to take inspiration from the stock characters established in the previous century, weaving them into more detailed, fixed plots. While inspired by the initial improvised tradition, it is an evolution in the form.
Ultimately, Walker says, “This show will reinvigorate audiences’ belief that love can transcend physical boundaries.”

Matthew Walker is co-Artistic Director of Litmus Theatre for which he has adapted and directed Matchbox Macbeth (Top 10 plays of 2010, NOW Magazine), Brave New World (7 MyTheatre Award Nominations) and directed and co-wrote Birth of Frankenstein (Dora Award for Best Direction, Dora Nomination for Best Script).

In King Stag, King Deramo’s search for a wife is undermined by the evil prime minister Tartaglia, who tricks the king into transforming himself into a stag, while Tartaglia transforms into the king. Mayhem ensues, and paranoia threatens to unravel the whole kingdom, but love emerges triumphant.

The cast features a troupe of emerging artists who are all in their final year of training at the Randolph College for the Performing Arts, featuring: Caroline Coon (St. Stephen, NB), Marie-Pier Jean (Orleans, ON), Ethan Kast (Kitchener, ON), Georgia Klebe-McCulloch (North Vancouver, BC), Yohani Lagunas (Mexico), Emma Mary Joyce (St. Albert, AB), Charlotte Reynolds (Toronto, ON), Skye Rogers (St. Catharines, ON), Molly Rumball (Collingwood, ON), Danielle Soule (Oakville, ON-), Ethan Vasquez Taylor (Calgary AB), Russell Wellner (Toronto, ON), Josh Werhun (St. Catharines, ON), and Emi Yasuo (Yokohama, Japan).

Presented by the Randolph College in community partnership with the Toronto Fringe Festival.

King Stag by Carlo Gozzi
Translated by Albert Bermel and Ted EmeryPerformances: July 5, 8 p.m.; July 7, 12:30 p.m.; July 8, 6 p.m.; July 10, 2:45 p.m.; July 11, 4:45 p.m.; July 13, 10 p.m.; and July 14, 3:45 p.m..

Randolph Centre for the Arts — Annex Theatre, 730 Bathurst Street, Toronto
Please note that there is absolutely no latecomer seating.

Tickets: $13 ($11 + $2 service charge) – NOW ON SALE
If available, at-the-door tickets will be sold at the Annex Theatre starting one hour prior to show time, cash sales only, limit of 4/person
Purchase online: fringetoronto.com
By Phone: 416-966-1062
In Person: During the festival at Fringe Festival Box Office, Scadding Court – 707 Dundas Street West.

ABOUT THE RANDOLPH COLLEGE FOR THE PERFORMING ARTS
Since 1992, the Randolph College for the Performing Arts has transformed aspiring artists into multi-talented performers through a rigorous training program that integrates the core disciplines of acting for stage, film and TV; voice; and dance, taught by a pre-eminent faculty of entertainment industry professionals. Faculty and alumni have appeared on Broadway, West End-London, Toronto, Stratford Festival, and Shaw Festival stages, as well as U.S. Tours and in feature films and TV series; worked with Disney, Cirque du Soleil, Vancouver Opera, Globe Theatre, Citadel Theatre, Neptune Theatre, Rainbow Stage, and Charlottetown Festival; and distinguished themselves as singer-songwriters, playwrights, music directors, directors, choreographers, producer, and arts entrepreneurs.
www.randolphacollege.ca

Review: The Sad Blisters (Glass Hammer Productions)

Photo of Esther Thibault and Andrea Lyons sitting downFamily drama play out in The Sad Blisters playing at the Common Space in Toronto

The Sad Blisters is one of those family stories that make you realize that your family may not be the strangest one around and that other people had tougher childhoods than you did. Wait, wait! Keep reading. It isn’t a downer at all. I have a theory that in dysfunctional families with more than two kids, when the chips are down the kids either band together to protect each other or they throw each other under the bus. When they’re adults the ones who protected each other may squabble and disagree but in the end they are always there for each other. On Thursday evening at The Commons Theatre four sisters were there for each other.

They squabbled and laughed and cried and screamed and reminisced along the way. There were hugs and kisses and an attempted strangling and in the end sisterly love prevailed. The late playwright Andrew Batten loosely based the play on his wife’s sisters, one of whom married three times, each time to a man named John. Definitely a good starting place for a story. Batten wrote really authentic women’s voices. My friend Marg, who hadn’t paid attention to the playwright’s name, assumed it was written by a woman. Continue reading Review: The Sad Blisters (Glass Hammer Productions)

Review: Old Stock: A Refugee Love Story (Tarragon Theatre in association with 2b Theatre)

photo of Ben Caplan in Old Stock: A Refugee Love Story

I did not want to go out on Wednesday evening; during the day I’d received some not so good news and the idea of trekking to Tarragon to see a play wasn’t particularly appealing. I’m so glad that I went. Old Stock: A Refugee Love Story turned my crappy day into a truly special evening.

It’s a wonderful piece, a hybrid play/concert. Anything by playwright Hannah Moscovitch is pretty much guaranteed to be terrific. Add songs by Ben Caplan and Christian Barry, and you have something remarkable. Director Christian Barry gives us a show that’s tightly paced and emotionally engaging. Continue reading Review: Old Stock: A Refugee Love Story (Tarragon Theatre in association with 2b Theatre)