All posts by Vance Brews

In Gods We Trust (The Lactors’ Studio) 2016 Toronto Fringe Review

Photo of Melanie Herben, Brent Vickar, Kerri Salata and Peter HamiwkaI’m a bit of a nut about Greek mythology and, like many people who have spent more than a few minutes on the internet, I’ve been unable to escape the gong show that is the US Presidential Election. In Gods We Trust from The Lactors’ Studio combines those two things into a piece of satire that I figured would be right up my alley and a solid addition to  2016’s Toronto Fringe Festival.

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Plays in Cafes (Shadowpath) 2016 Toronto Fringe Review

Photo of Vesna Radenkovic and Mandy Roveda

Plays in Cafes has returned to this year’s Toronto Fringe Festival, this time with three new short pieces all set within the confines of Free Times Cafe on College.

The concept is simple: three plays that take place between two people while surrounded by an audience partaking in Free Times’ fare. This year Alex Karolyi returns with one piece, while Chris Widden and Sheila Toller bring new voices to the program. It appears that this year Shadowpath decided to step away from the domestic themes of 2015 and instead chose a more surrealist approach.

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Game 7 (MWB Productions) 2016 Toronto Fringe Review

Photo of Mark Kalzer, Raymond Ho and Magdalena BB

Game 7 by MWB Productions at 2016’s Toronto Fringe Festival is a play about miserable people. It’s also about fans of the Toronto Maple Leafs, which is pretty much the same thing (badump bump).

Written and performed by Mark Kalzer, Raymond Ho and Magdalena BB it chronicles the events that transpire between three friends as they watch the legendary collapse of the Leafs in their 2013 Playoff run. The play explores many themes like missed opportunities, failed dreams and abandonment while also exploring the ecstasy and agony of being a sports fan.

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King of the Castle (House of Rebels Theatre) 2016 Toronto Fringe Review

KOTCKing of the Castle is a subversive piece of psychological theatre by House of Rebels Theatre that explores childhood trauma and abandonment in an emotionally draining, yet cathartic, hour at 2016’s Toronto Fringe Festival.

When you read King of the Castle’s synopsis, there’s a sense of what I would describe as whimsy attached to it; a young man finds one of his imaginary friends murdered and must reconnect with the other figments in his mind in order to solve the mystery. It’s a concept that made me imagine a brightly coloured set contrasted with a hard boiled detective story. King of the Castle is nothing like that.

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