All posts by Wayne Leung

Wayne Leung (1981-2019) Wayne was the Managing Editor of Mooney on Theatre from 2012 - 2019 and will be sorely missed. His death from an apparent heart attack was a loss not just to Mooney on Theatre, but also to the Toronto Theatre Community at large. You can read our publisher Megan Mooney's tribute to him here here. Wayne was a writer, editor and corporate communications professional who was thrilled to be a part of the Mooney on Theatre team. Wayne loved theatre ever since his aunt brought him to a production of Les Misérables at the tender age of ten . . . despite the fact that, at that age, the show’s plot was practically indiscernible and the battle scenes scared the bejeezus out of him. Wayne’s current list of likes ran the gamut from opera, ballet and Shakespeare to Broadway musicals, circus and Fringe theatre. Outside of the theatre Wayne’s interests included travel, technology and food.

Review: Come From Away (Mirvish)

dl_come_from_away_dc_s_0219_edit_v002Mirvish presents Broadway-bound original Canadian musical Come From Away in Toronto


***NOTE: All performances are cancelled between Saturday, March 14 through Sunday, April 12 to respect social-distancing requests around COVID -19

Like many people, I’ve been in a miserable funk since the US election. Since that day, the world has become a much darker place and the future looks so bleak. Come From Away, an original Canadian musical playing in Toronto before heading to Broadway, was the balm I needed to soothe the ache in my soul. It’s an unabashedly uplifting story about the triumph of the human spirit in another dark moment in history. By the end of the show I was so moved that I wanted to leap up on my feet and cheer for the goodness of humanity.

After the terrorist attacks on September 11, 2001, the FAA grounded all aircraft across the US and closed American airspace causing hundreds of flights to be diverted. That day, 38 planes carrying 6,579 passengers and crew members were forced to land in the tiny town of Gander, Newfoundland, nearly doubling its population at the time. Come From Away is about the events of that fateful day and how the community of Gander came together to care for these strangers in their hour of need. Continue reading Review: Come From Away (Mirvish)

Review: The 7 Fingers Cuisine & Confessions (Mirvish)

dl_cuisineconfessions_dsc_2280%e2%94%acalexandre-galliezMirvish brings theatrical circus troupe 7 Fingers’ latest show Cuisine & Confessions to Toronto

Inviting someone to your home for a meal is one of the most personal gestures you can extend to someone. Establishing a deeper connection with someone by sharing a meal together seems to be a universal human experience that cuts across cultures. It just so happens that establishing a human connection by sharing food is exactly what theatrical circus troupe the 7 Fingers attempts to do in their new show Cuisine & ConfessionsContinue reading Review: The 7 Fingers Cuisine & Confessions (Mirvish)

Review: The Container (Theatre Fix)

The-Container-Sobretodo-and-Arabian-Photo-Credit-L-PosloskiToronto’s Theatre Fix stages an immersive show about refugees inside a shipping container

A year ago the world was collectively stunned by the image of Alan Kurdi, a young Syrian boy whose lifeless body washed up on a beach after he drowned in the Mediterranean sea as his family attempted the perilous crossing to seek asylum in Europe. It took that shocking photo to humanize the millions of refugees worldwide enough for the world to finally take notice.

The Container, a remount of a production presented at the 2014 SummerWorks festival, is a stark, gripping, immersive show staged in an actual 20-foot shipping container. The play sheds light on the stories of the people who risk their lives on these dangerous migration routes.  Continue reading Review: The Container (Theatre Fix)

Situational Anarchy (Pressgang Theatre/Pandemic Theatre) 2016 SummerWorks Review

Situational AnarchyLook, I’ll level with you. Situational Anarchy, playing at Toronto’s Drake Hotel Underground as part of the SummerWorks Performance Festival, was the last assignment I picked up for our coverage this year. It didn’t sound like something that would appeal to me judging by the blurb in the festival program; something about playwright/performer Graham Isador’s on again/off again relationship with rockstar Laura Jane Grace, the transgender front woman of the punk band Against Me. Continue reading Situational Anarchy (Pressgang Theatre/Pandemic Theatre) 2016 SummerWorks Review

Mr. Shi and His Lover (Macau Experimental Theatre/Music Picnic) 2016 SummerWorks Review

Mr. Shi and his LoverThis year, the SummerWorks Performance Festival is presenting its first-ever Chinese-language production: Mr. Shi and His Lover, an original musical in Mandarin by Toronto-based composer Njo Kong Kie and Macanese playwright Wong Teng Chi. Given the sizeable Chinese community in Toronto, I’ve often wondered why SummerWorks (and other festivals/theatres that present international work) don’t present more Chinese-Language theatre. This gorgeous contemporary musical theatre piece makes a strong case that they should. Continue reading Mr. Shi and His Lover (Macau Experimental Theatre/Music Picnic) 2016 SummerWorks Review