Thousand Beginnings (Under The Umbrella) 2018 Toronto Fringe Review

Photo of Gulce Oral and Jewels Krauss in Thousand Beginnings.

Thousand Beginnings is a piece of performance art that combines intensely physical choreography, philosophical poetry, and visually dazzling prop work into happenings about the expectations of femininity a woman needs to shed to find peace. It’s a substantive debut from Under The Umbrella  and a challenging addition to the Toronto Fringe that will leave plenty to ponder after the curtain falls.

The duo of Gulce Oral and Jewels Krauss play inhabitants of a limbo-like wasteland haunted by and forced to grapple with society’s opinions about how a woman should be.

They process and respond to these opinions through their bodies, using grunts, yelling, and physicality to communicate what words can’t. They also use lots of unrolled paper towel, repurposing it into monstrous representations of the general public’s traditionally myopic views on womanhood. The towel is tentacled and menacing, but also comforting and inviting like expressionist art.

As Gulce and Krauss proceed to reenact obstacles to mature womanhood, from inheriting a sense of inferiority from systemic sexism, to confusing acquiescence with politeness, to objectifying yourself to get what you want,they soon grow concerned for lack of progress. The Thousand Beginnings corresponding to the umpteen delays in self-realization they’ve endured as a by-product of inequality.

Their yearning for structured, stable identity in a world that reminds them they aren’t good enough is the fuel of revolutions. They are fiery vessels for the history of discrimination against women, slowly poking at its ideological inconsistencies until it begins to unravel and unlock their self-confidence. Thousand Beginnings unites social justice and current events with high concept art in a show that speaks to its time and the understanding that improving it is a never ending endeavor.

Details

  • Thousand Beginnings plays at the St. Vladimir Institute. (620 Spadina Ave.)
  • Tickets are $13, including a $2 service charge. The festival also offers a range of money-saving passes and discounts for serious Fringers.
  • Tickets can be purchased online, by telephone (416-966-1062), from the Festival Box Office at Scadding Court (707 Dundas St. W.), and — if any remain — from the venue’s box office starting one hour before curtain.
  • Content Warning: Mature language.
  • This venue is wheelchair-accessible through a secondary route. After the building’s business hours, a staff member will need to escort you through this route, so plan to arrive at least 15 minutes early for evening shows.
  • Be aware that Fringe performances always start exactly on time, and that latecomers are never admitted.

Performances

  • Thursday July 5th, 6:30 pm
  • Sunday July 8th, 11:00 pm
  • Tuesday July 10th, 8:30 pm
  • Thursday July 12th, 12:00 pm
  • Friday July 13th, 9:15 pm
  • Saturday July 14th, 5:15 pm
  • Sunday July 15th, 1:00 pm

Photo of Gulce Oral and Jewels Krauss by Lucas Olscamp.