All posts by Dana Ewachow

Dana Ewachow is too shy to order a pizza over the phone, but has no problem writing on the internet. She keeps herself busy and artistically poor by writing news articles, rants, and fiction for the internet. As you may have noticed, she also writes theatre reviews. She enjoys sketch comedies, dark comedies, light comedies, and burlesque. When she isn’t writing, her odd hobbies include: martial arts, throwing hatchets, and trying to cook food that won’t send her to the hospital. Armed with questionable diplomas and a second degree blackbelt, she will surely take over the world.

Review: No Strings Attached (Pink Pluto/Eventual Ashes)

Sunny Drake presents his hilarious, neurotic and touching show No Strings (Attached) in Toronto

Sunny Drake in No Strings (Attached) photo by Jeremy Mimnagh 3 On St. Patrick’s Day, I was lucky to avoid the green-tinted debauchery by going to see No Strings (Attached) at Buddies in Bad Times Theatre. I handed over my tickets and was absolutely delighted when I was rewarded with a small white rose … It was fake, but it was still sweet. I held my “token of romance” as I walked through the doors toward the cabaret stage, when the white rose was taken from me and tossed into a basket. I was given a lecture about restraining myself from the trappings of romantic tokens. I looked down at a button in my hand, which said: “1 DAY Romance Sober”. Continue reading Review: No Strings Attached (Pink Pluto/Eventual Ashes)

Review: Chelsea Moor Castle (The North Toronto Players)

Chelsea Moor CastleNorth Toronto Players celebrates its 50th anniversary with original musical Chelsea Moor Castle

The Jubilee United Church was filled with excitement. The North Toronto Players were celebrating their 50th anniversary with a special gala performance of Chelsea Moor Castle (or, The Contract To Marry). The attendees were dressed to impress and eyeing the stage with eager smiles. I was swept up with the buzz of the crowd, ready for a performance worthy of the big 5-0.

Chelsea Moor Castle (or, The Contract to Marry) is an original show inspired by WS Gilbert and Arthur Sullivan. The script and lyrics were written by stage director Michael Harms and actress Barb Scheffler. The playwrights were compelled to answer the question “What would Gilbert and Sullivan do if they were writing a show today?” Their collective response results in an operetta full of secrets, love, and death.

Continue reading Review: Chelsea Moor Castle (The North Toronto Players)

Review: Oleanna (Matchstick Theatre)

The stage of The Box theatre had been transformed since I last saw it. The night I went to see Matchstick Theatre’s production of Oleanna, the stage had changed into a small office. The office had the typical look of academic interior design: a large desk, wooden chairs, and a mug full of pencils. The set gives an impression of the mediocre. Suspiciously mediocre. I knew that Oleanna couldn’t be about a simple office chat. The banality of the scenario, the set, and even the professor’s tweed jacket with leather elbow patches, began to feel like an obvious trap.

Oleanna was introduced in 1992 by the well-known playwright David Mamet. Oleanna is a story about Carol, a young and confused student, who meets with her professor John to discuss her failing marks. John decides put aside his other responsibilities to help Carol improve her grade. The meeting ends and they part ways. When they meet again, the circumstances have shifted in an unexpected way. Continue reading Review: Oleanna (Matchstick Theatre)

Review: A Mickey Full of Mouse (Red Sandcastle Theatre)

mickeyA Mickey Full of Mouse opened in the Red Sandcastle Theatre. A map drawn out in chalk is on the set wall, showing the passage through the United States, with Florida as the ultimate destination. Dawna Wightman moves around the stage, sweeping the floor with a janitor’s broom. She sings to herself, blocking out the audience in front of her. As we know with most Disney productions, a song is just the beginning of the story.

A Mickey Full of Mouse, written by Dawna Wightman and directed by Josh Downing, describes itself as a comedy about a trip to Walt Disney World with an alcoholic. Anna, played by Laura Kyswaty, meets up with her old friend Margaret, who shows her a magical snowglobe. When the snowglobe is used three times, the holder is transported to a childhood memory, and must live through the memory to return. The memory brings Anna and Margaret to the summer where they went on a impromptu roadtrip that took them to Walt Disney World.
Continue reading Review: A Mickey Full of Mouse (Red Sandcastle Theatre)

Review: Slip (Circlesnake Productions)

IMG_5876Circlesnake Productions presents Slip, a fractured murder mystery, at The Box Toronto

The Box Toronto is a re-purposed loft, hidden behind a small alley like a secret. The theatre looks like a regular apartment with a plain kitchenette tucked in the corner, but there are stage lights all across the ceiling. The walls are covered with newspaper clippings, post-it notes, and letters. Ripped pages are strewn across the floor. The audience tip-toes around the un-moving body of an actress. We all shuffle in our seats, trying to get comfortable at the scene of the crime.

Slip is a story about an investigation of a possible murder. The victim has died of mysterious circumstances, which Toronto detectives Lynne and Mark try to uncover with their expertise. The investigation becomes more trying as more information about the victim is discovered, along with another unexpected obstacle: Lynne’s memory is failing her. Lynne tries to focus on solving the crime, even when her mind can’t seem to focus with her.
Continue reading Review: Slip (Circlesnake Productions)