Jess is an East coast transplant to Toronto who stumbled into her love of theatre via her social media gig at Ballyhoo Push Pin Media, and stumbled into review writing via an open call to cover the 2015 Fringe Festival for MoT. In addition to writing for MoT, she also blogs about dating, white supremacy, fat politics, theatre, graphic design, and sex at thejessgillis.blogspot.com. She’s a self-taught freelance graphic designer by trade, and a visual artist by passion. She sells and displays her wares at jessgillis.com. She’s passionate about laughter, anti-oppression, sex workers’ rights, body positivity, vegan food, cycling, good TV, and swimming. If you want to follow her foodie, nail art, and pet sitting posts, you can follow her on Instagram and Twitter @TheJessGillis
Under new artistic direction, the Toronto Festival of Clowns is back for its 11th year. Happening at Factory Theatre, the festival hosts a diverse cast of international and local clowning talent.
I had the chance to ask the one of festival’s co-artistic directors, Adam Bailey, some questions, and here’s what he had to say:
Solo Festival plays in Toronto, dedicated to showcasing solo works!
The Soulo Festival, now in its fourth year, returns to combine acclaimed solo stage performances with classes and workshops.
Performers, audiences, teachers, and anyone interested in personal storytelling are encouraged to head to the Red Sandcastle Theatre between May 26 – 29, 2016.
Creator Tracey Erin Smith and Artistic Producer Franny McCabe-Bennett took some time to answer a few questions about the festival.
Hangman‘s Rootin’ Tootin’ Cowboy Show Could Go Deeper
So, ya wants to see a theatre show set in the Old West, about them moral type dilemmas facin’ all sort’a menfolk? Men who think they good ’cause they “the law”, and them who think they bad cause they ’bout to hang, when ain’t none of ’em innocent? Well then, you best bring ya’self down to The Storefront Theatre to see The Scapegoat Collective’s Hangman.
The Lower Ossington Theatre brings to life Canadian classic, now on stage in Toronto
Tonight at the Lower Ossington Theatre, a part of my childhood came alive during Anne of Green Gables The Musical. I’m an East Coast native who’s been to Prince Edward Island countless times. It’s where the story of a red-haired spitfire orphan named Anne Shirley – who comes to live with a hesitant-at-first family – is set. I’ve even been to the Green Gables house.
I, along with my companion Violet, were a bit concerned that we’d be resistant to a different Anne. In our minds, Megan Follows – who so thoroughly owned and embodied that role – is Anne Shirley. Luckily, we were mostly pleased with tonight’s Anne, and the show generally.