Post-Humanum by CollectifBus 1.2.3 is currently playing On Demand as part of the 2021 Toronto Digital Fringe. You can catch this eclectic series of bizarre, futuristic, dystopian scenes featuring humans, gods, and robots online until July 31.
Post-Humanum is a commentary on contemporary technology and culture, which contemplates the trajectory of our digital age through a series of disjointed sketches.
Continue reading Post-Humanum (Collectif Bus 1.2.3) 2021 Toronto Fringe Review →
The Drinking Gourd by Jazz Haz Productions is currently playing On Demand as part of the 2021 Toronto Digital Fringe. This is a musical-documentary by Anthony Audain and Rob Lindey that tells the story of The Underground Railroad in Canada. It was my first Digital Fringe show and I found it moving and informative.
The Drinking Gourd depicts the journey of an escaped slave travelling along the Railroad, and features field songs used to communicate coded information and inspire hope (sung by Audain). Rob Lindey narrates and gives a short, informative lecture on the Underground Railroad.
Continue reading The Drinking Gourd (Jazz Haz) 2021 Toronto Fringe Review →
The Incredible Adventures of That Nice Canajun Girl by EclecticEncounters is currently playing On Demand as part of the 2021 Toronto Digital Fringe. You can catch this musical, poetic storytelling show online until July 31.
The Incredible Adventures of That Nice Canajun Girl proved to be my favourite fare from the Toronto Digital Fringe Festival. It does a wonderful job giving you the feeling of being at a live Fringe production. The star, dTaborah Johnson, is a captivating performer. Her rhythmic prose and enchanting singing had me locked in throughout the 38 minute runtime.
Continue reading The Incredible Adventures of That Nice Canajun Girl (EclecticEncounters) 2021 Toronto Fringe Review →
The daring third installment of the Queenmaker series explores the rise of Bloody Mary
Soulpepper has mounted the third play in writer Kate Hennig’s Queenmaker Trilogy, Mother’s Daughter is an enthralling and tense historical drama on stage at the Young Centre for the Performing Arts.
This play checks all the boxes for me: the writing is tight and Hennig weaves an interesting and engaging story with these characters from the Tudor era. The performances are great across the board and the technical aspects and set design are certainly impressive. It’s a great show, and I do recommend it. Continue reading Review: Mother’s Daughter (Soulpepper) →
Buffoon is a profound, beautiful tragedy with a helping of laughs
Tarragon Theatre is presenting Buffoon, a new play by Anosh Irani, until December 15 – and you owe it to yourself to get a ticket.
It was captivating, emotionally taxing, and downright great.
This self-labelled tragicomedy did indeed offer up some laughs, but I was truly stunned by how its story leapt at every opportunity to take things to new, more depressing depth. The acting is incredible, and the piece stunningly dark. Continue reading Review: Buffoon (Tarragon Theatre) →