Set in the Middle Ages, The Kingdom of Awesome is under attack by a fierce dragon. The King calls on the Great Knights to defeat the dragon, but somehow the job falls on a lonely juggler. Toronto Fringe Festival presents a family-friendly production of Dungee the Dragon & the Just-Okay Juggler at the George Ignatieff Theatre. With light-hearted humour, a sassy dragon puppet, and knife juggling, this story will leave you giggling for more.
Old Fart (Theatre Praxis) 2019 Toronto Fringe Review
In Old Fart (playing at the Toronto Fringe Festival), Tim Bourgard presents a sweet little hour of gentle humour, classic sing-alongs, and dime-store wisdom. He’s the kind of performer who can get people chuckling with just a look: your hour with the Old Fart will fly by.
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Red Knows: A Play on Words (L’Arche Toronto Sol Express) 2019 Toronto Fringe Review
All acting actually is an acquirement of articulate actions. Beautiful bespoke beats which break boundaries but benevolently bestowed communal clowning. The cute, commanding, considerate cast created a colossal day.
I was trying to be as fun and clever as Red Knows: A Play on Words playing at Toronto Fringe Festival but really you should just go see it instead.
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Didn’t Hurt (Tonic Records) 2019 Toronto Fringe Review
Rodney DeCroo gives a tour de force performance in Didn’t Hurt, his solo show now playing at the Toronto Fringe Festival, directed by TJ Dawe. Courageously baring the bloody guts of decades-long trauma on stage, DeCroo delivers a master class in enduring, and learning to live with complex PTSD.
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Sincerely, The Rebels Club (Once More With Feeling Productions) 2019 Toronto Fringe Review
Sincerely, The Rebels Club combines two great tastes that taste great together – Star Wars and The Breakfast Club. The result is a bright and eccentric palette cleanser. Produced by Once More With Feeling, this show is a fun treat to lighten up your Toronto Fringe adventures, onstage at Tarragon Theatre Mainspace.